About the artist
Helen Grace French was an Australian artist and fashion designer whose career spanned more than six decades. Born in Melbourne, she was driven by intellectual curiosity and a lifelong passion for making, developing her skills from an early age in handmade textiles and creative design. In the 1960s, after time in London and the United States, she was influenced by the bold colours and geometric abstraction of Sonia Delaunay, and by the scale and energy of New York Abstract Expressionism. Returning to Melbourne, she established her own boutique and ‘Helen French Courtier’, designing and producing all garments in-house—a practice praised by Patrick McCaughey as the work of a “gifted designer and dressmaker.” Her fashion and textile work, which also encompassed jewellery, painted window displays, wall hangings, and furniture, is represented in the National Gallery of Victoria collection. From 1995, French dedicated herself fully to painting.
She held her first solo exhibition in 2001 at the age of 70, defying assumptions about age and creative output. Over the next two decades, she exhibited widely, including a 2015 retrospective at Glen Eira City Council Gallery showcasing works from the 1960s onward. Her style—rooted in abstraction—combined a painter’s sensibility with a designer’s eye for colour, form, and material. French’s work is held in corporate and private collections in Australia, New York, and Cologne. Known for her independent spirit and commitment to daily studio practice, she remained creatively active until her final years.
Cosmos Collection
2000 never exhibited as a whole
Rondo Collection
exhibited at McCulloch Gallery 2005
Inspired by botanical natural decorative forms.
Drawn Threads Collection
2003
Helen’s art experience has enabled her to look at other ways of using thread as a drawing tool, rather than pen or pencil. These innovative works are influenced by her abiding interest in textiles. Her design knowledge of taking one material and by expanding the original use, creating another, led her to invent a process for assembling these unique contemporary works emulating tapestry and embroidery.